He also learns that Malu is pregnant with his own (Radha's) child. On reaching his native shore, he discovers that his family, along with his house was brutally burned down by Kumaran. Radha is forcibly, but sadly circumcised to escape from the police on Freddy's shore. During the fight, Cleetus gets severely injured on the head. Once, he gets involved in a fight with Cleetus (Sreejith Ravi), an old enemy of Freddy, after Cleetus tries to molest Rosie. He also discovers his male energy and starts to transform from his female mannerisms slowly. He soon becomes a part of their family, as the grandmother begins to identify him as the late Jonfy. But he is saved by Freddy (Biju Menon), a restaurant owner, in some distant shore.įreddy takes him to the former's native where he is living with his sister Rosie (Bhavana) and his grandmother (Valsala Menon), who is a mental patient due to the shock of the sudden death of Freddy's other sibling, Jonfy. Dev), a local astrologer and dumps him in deep sea. Nayarambalam, and produced by Lal.The film was based on a play of the same name, which in turn, was based on the life of an actual man with feminine mannerisms. Slowly Radha’s liking for Malu turns into love and when Kumaran sees it, he beats up Radha with the help of her father (Rajan P. Chanthupottu is a 2005 Indian Malayalam-language romantic comedy-drama film directed by Lal Jose, written by Benny P. His best friend is Malu (Gopika) who is wooed by Kumaran (Indrajith), a local money lender and the son of the man whom Radha’s father had killed. Radha is ridiculed among the people in the village but he is not worried and spends time with the girls singing and teaches dancing. Radha's father Divakaran (Lal) goes to jail for a murder that he accidentally commits. She calls him Radha, which becomes his nickname. As a consequence, he becomes an effeminate. Rating: 0 / 5.Evocative and provocative, this socially relevant saga follows the ups and downs in the life of Radhakrishnan (Dileep), who is brought up like a girl by his grandmother (Sukumari) who wanted a granddaughter. The same goes for Indrajith as Komban Kumaran, as a stereotypical villain is just used as a prop to create conflict. But his characterization has its limitations.
Lal (also the producer of the movie) as the father of Dileep tries to bring out the pain and humiliation of having a progeny laughed at by society. The chemistry of the lead pair is also worth a special mention. Gopika as the leading lady utilises her chance to show off her charm with an unobtrusive screen presence. songs of Vayalar Sarath Chandra Varma.Nostalgia. He successfully limits himself to the scope of the story and gives us a film that is crisp and fresh in its treatment. Background story of the song Aazhakkadalinte from the movie Chanthupottu. That does not mean that the efforts of director Lal Jose go unnoticed. It has his stamp all over the film, which gives fuel to the argument whether a film is a director's medium or a writer's medium. In the times when wearing the tag of a metro-sexual male is a fashion statement, he gives an altogether different perspective to the gender bending equations. Nayarambalam for creating a character that has a depth that goes beyond the superficial. He blends the feminine physicality with the emotional dexterity to near perfection.
A slight underplaying or overdoing would have made it ridiculous or crude. There is the ubiquitous villain who fancies the heroine and creates roadblocks for the lovers.ĭileep's performance is a tightrope walk. Conflict arises when he falls in love with a childhood friend. The hero, who loves to paint his nails and use makeup, grows up with female friends. Here also the story is designed (with all formulaic ingredients and even weaking them) in such a way as to offer the actor a platform to display his histrionic prowess. "Chandupottu" is a character-driven film. Watch Now: 15 years galls very sexy foking xxxx videostamil moves mmsvasthavam malayalam movie hot song 3gp videobangla movie rape moyuri fullmum boy sex. It is an achievement not to repeat that mistake and, at the same time, fight the stigma and prejudices attached to such people. It is brave of the team behind "Chandupottu" to try out an effeminate character - Radhakrishnan - imitated by mimicry artists and comedians the world over. His Onam offering "Chandupottu", directed by his friend Lal Jose, is in the same league. He has succeeded in most endeavours through sheer tenacity and hard work. He has even gone back to his mimicry days. Dileep has always tried to come up with something novel whenever he has faced a slump at the box-office.